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Theater Shows
Macbeth

Something wicked this way comes.

centerstage reviewed this performanceReviewed by Centerstage!Go Chicago!

Venue:
City Lit
1020 W. Bryn Mawr Ave.
Chicago, IL 60660 Map This Place!Map it
Cost:
$25
Tickets:
773-293-3682 or www.brownpapertickets.com

Author
William Shakespeare

Styles

Related Info:
Official website

Performances
Runs January 15, 2010-February 21, 2010

Friday8 p.m.
Saturday8 p.m.
Sunday3 p.m.

Recommended a "Must See" Show

Bloody, yet surprisingly funny, this intimate production of the Scottish play is never afraid to tease the bruise-black humor from moments we all thought couldn't possibly be played for laughs. But don't expect a light comic evening. The play has both violence and supernatural dread. Watch out for those witches: scant-haired, scab-faced and seven feet tall.


reviewed performanceCenterstage Show Review
Reviewer: Laura Kolb
Tuesday Jan 19, 2010

Productions of "Macbeth" tend to emphasize the eponymous thane's brutality or the creeping malignancy of the supernatural forces that govern his fate. Everything tends to be a bit blood-soaked and shrieky; horror, horror, horror is the order of the day.

All this is in the nature of the play Shakespeare gave us. City Lit's current production taps into a vein of wry, black humor, which runs through the play and enriches its darker aspects. There is plenty of blood, but it's more sprinkled than soaked; there are shrieks, but their rarity makes them all the more startling.

In the title role, Steve Hadnagy provides a steady patter of detached self-commentary. His overleaping ambition is matched by his overwhelming sense of his own absurdity: some bearded ladies tell him he will be king (yay!), but he ends up killing everyone he respects and loves (boo!) The performance raises an often-overlooked question: how could a character so self-aware, so capable of deconstructing his own motives, fears, and ambitions, actually do what he does?

Rather than feeding into a general atmosphere of doom and gloom, each performance in the strong ensemble is carefully crafted; the resulting interpretation is lively and gripping from moment to moment. In her first scene, alone onstage, Lady M (Cameron Feagin) overdoes it a bit with choppy delivery and crazy eyes. But she shines in her interactions with her waffling husband. Banquo (John Arthur Lewis) deserves special mention for his easy smile and warm, expansive delivery; here is a thane we do not want to see killed.

All this is not to say the play isn't sufficiently terrifying. But the darkness (the murder of Macduff's family, the thoroughly freaky, seven-foot-tall witches) is offset by the light, and the production is richer for it.

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