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Theater Shows
That Sordid Little Story

It's a tricky concept.

centerstage reviewed this performanceReviewed by Centerstage!Go Chicago!

Venue:
Viaduct Theatre
3111 N. Western Ave.
Chicago, IL 60618 Map This Place!Map it
Cost:
$25
Tickets:
(773) 296-6024

Author
Will Cavedo & Andrew Hobgood

Styles

Related Info:
Official website

Performances
Runs July 7, 2010-August 8, 2010

Friday7:30 p.m.
Saturday7:30 p.m.
Thursday7:30 p.m.

Recommended a "Must See" Show

The brash young guns of the New Colony produce the seventh show of their brief, but prolific career. "That Sordid Little Story," a world premiere musical, is about about a young man convinced that his life is foretold in the songs of a 1963 concept album. Some critics are confused by the aimless storytelling, but most are persuaded by the lovely bluegrass, and the flawlessly hip vibe.


reviewed performanceCenterstage Show Review
Reviewer: Sarah Terez Rosenblum
Saturday Jul 10, 2010

There's a lot to like about That Sordid Little Story, a "bluegrass musical" which concerns a southern boy convinced a band is singing the story of his life.

The boy himself, Billy – a fluid, relatable Patrick Coakley – is easy to cheer on. Another plus: the quirky onstage band who's music creates a sonic through-line as the story unfolds. Story's costumes, a clever blend of old south and Chicago hipster, also contribute, as does writer/director Andrew Hobgood's inspired use of a versatile space.

It’s the pace that disappoints. A strung-together series of scenarios purportedly mixing modern American storytelling with Greek theatrical traditions, Billy's road adventures are each punishingly protracted, the tempo immediately thrown by the first piece in which Billy meets Abigail (Caitlin Chuckta) and Caleb (Wes Needham) – an incestuous pair of siblings. Given the amount of time exhausted introducing the two, one assumes Caleb and Abigail will have ongoing relevance. However, as Billy trundles from bar to bar, always narrowly missing the band, it becomes apparent that each vignette is meant to stand alone. Given this objective, Hobgood would have been well-served to cut each scenario by half, shorten the interwoven songs, and present the show sans intermission.

Still, The New Colony, a young Chicago company aiming to actively cultivate a younger theater-going audience, attains at least that goal. Those in attendance seem hip and in the know, more likely spotted at a club or concert. So, while the show's unique concept isn't enough to carry it, the event certainly attracts a crowd.

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