Today's tough economic climate demands the need for downsizing, but director Frank Anzevino skillfully proves that less can be more in this intimate production of Andrew Lloyd Webber's classic pop opera. Seldom has the 1980's Tony winner for Best Musical touched audiences so deeply both with its relevance and pathos. The production is a marvel of sight and sound, from its inventive use of space and costuming, to its sassy rhythmic musical accompaniment by Ryan Brewster's talented three-piece combo and its magical acting ensemble.
Despite what the program says, you'll swear you're enjoying a cast of thousands instead of ten. With no rest for the wicked, every actor doubles as ensemble providing a thrilling, rich choral sound. The cast even works as the ushers and wait staff. The tiny No Exit Cafe explodes with the action continually shifting from the small stage to the bar and even spilling out into the house and its narrow aisles (you'll never be this close to Eva's coffin). Musical numbers that normally utilize a huge chorus, such as "The Art of the Possible," a choreographed musical chair metaphor for political supremacy, remain just as effective even with only a handful of actors.
Jeremy Trager demonstrates extraordinary vocal talents as Juan Peron. With the expert lift of an eyebrow or a quick glance he's both dangerously powerful and seductive. Che, the show's cynically omnipresent observer, is well played by Chris Damiano. Whether serenading Eva, accompanying himself on guitar or strutting with English aristocracy, Damiano is a narrator with spirit and authority. However, the production rightly belongs to leading lady Maggie Portman. Playing the show in the audience's lap allows a spiritual connection denied to most other Evitas. Her Eva Peron is fiery and soulful with a firm command of the role's demanding vocals.
In stripping away the usual lavishness, Anzevino invites participation in the story. We relate to these characters, hear Tim Rice's insightful lyrics clearly and fully appreciate Webber's multilayered, artistry for the first time. Small becomes enormous, old becomes new again and the timeless becomes timely in this rare and wonderful production.
Reviewed by Centerstage!
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