Centerstage Chicago is Of Chicago, For Chicago and By Chicago. Nightlife, bars, clubs, restaurants, dining, theatre, arts and performances
music chicago
search through: for: (Adv. Options)
ARTICLES
THEATER SHOWS
Search Performances

Browse Theatre Shows By...
MORE THEATER
Theatre Venues
Who's Who of Theatre
SUBSCRIBE to
CRUMB is Centerstage Chicago's Weekly E-Newsletter.
Enter your email to get
our weekly newsletter:

Green Guide to Chicago. Sustainable lifestyle tips and guides
Bookmark This Page:


RSS feeds, get em while they're RED HOTSubscribe in your favorite reader using the links below. To learn more about feeds and RSS, click here.

Centerstage Chicago Nightlife City Guide Arts Entertainment Chicago Illinois
Articles Sections >> >
Waiting for Godot
Signal Ensemble Theatre tackles a tricky piece.
Tuesday Feb 15, 2005.     By Gordon West
Centerstage Chicago Nightlife City Guide Arts

Life is in a constant state of contradiction, or (if one is so inclined to say) a state of balance. When there are tears in the Gold Coast, there is laughter in Montemartre. While one wins a Golden Globe, another loses the palme d'or. And while one troupe chooses not to undertake a play whose illustration of life ranges from vulgarity to hilarity to despair, another ensemble (in this case, Signal Ensemble Theatre) undertakes the challenge and breathes virile, potent life into it.

Directed by Ronan Marra, Samuel Beckett's "Waiting For Godot" explores class, gluttony, poverty and poetry through the eyes of four men: Estragon (Christopher Prentice), Vladimir (Aaron Snook), Lucky (Charles Schoenherr) and Pozzo (Joseph Sterns).

"Godot" focuses on the determined, if not somewhat ridiculous, vigil of two vagrants, Vladimir ("Didi") and Estragon ("Gogo"), awaiting the arrival of the mysterious Godot. The material is thick, at times complicated and frustrating, but always saturated with social commentary laced with threads of comedy. This is not a show to which one brings a less than mentally capable date, but a must-see production if you crave conversation material for erudite social circles.

Costuming by Laura M. Dana makes for a tangible visualization of the vulgarity, musty despair and rich characterization of each character. The ease with which Prentice, Snook, Schoenherr, Stearns and Benton Reynolds ("Boy") display their craft and present such unconventional material is both magnetic and admirable. It is far from what one would think a troupe of young men could undertake, but they attack it rather well and the performances, from voice to costume to characterization, are fleshy and substantial.

The theme of the show is the fear of being forgotten or left behind. Should Signal Ensemble continue to inject such passion and vigor into its theatrical efforts, it needs not fear such a fate.

Signal Ensemble Theatre at the Chopin Theatre; 1543 W. Division; (773) 347-1350; $12-$15. Through Feb. 20; 8 p.m. Thursday-Saturday; 3 p.m. Sunday.